东正教般的华丽史诗作品导演用一场婚礼切入美国宾州锈带的一个俄裔小镇思婚礼之所以庄重公开在于维系感情稳定不致分飞可比“债是法锁”乎于战争处惜镜如金单以轮盘赌单刀直入场面揪心重击三人神魄原来有些人能回去但却是永无法回到过去悲哉穿插着猎鹿情节最值得玩味不知怎的我想到公鹿发情的顶角对撞头疼欲裂大麦小尼二人皆存linda玉容是否可以类比人之于鹿是为神人之于神则是鹿De Niro处处谦抑可二人终究是二度坐在了对角桌上心痛最后以葬礼收束主旋律盎然从serve the god and country proudly 到God bless America 的呼应餐桌一角的悲歌远胜某些集体高唱
重看The worst thing about this rose-tinted, unapologetic glorification of a little pervert is that all the abuses suffered by Malena in the end become somehow justifiable, and herself understood and redeemed, simply because she has once served as the object of the boy’s excessive libido. This is exploitation of beauty itself at its worst. 托纳多雷一生黑