A / “相遇”仅仅始于一次从舞台空间向“后台”空间的折叠演员们的面容总是晦暗的国产无套內谢普通话对白成为黑白光线覆盖的平面局部被舞台框住的镜头如乱麻般串联迂回多线收束的一刻这已足具压迫性的偶然却刺骨地显露为必然的一部分而当演员在阴谋秘计中召唤一个不存在的人时特写赋予了它“面容”与“目光”正是这种目光回看到那些必然会汹涌而来将第四面墙堵住的“观众”们它捕捉着每一刻的光明去“看”它甚至随着凌厉的剪辑掠夺般欣喜地收割着那每一寸飘摇而充满危险的光明最终的“相遇”反而是最偶然的——在决然的面容/爱的生成中“什么都不做”是无法捕捉又凝定着永恒的姿势/三刷:不同阵营物的运动相接成间谍行动的速度流人物之间、角色和演员之间则从空无的面容中传递出情绪的流最终通过光-目光的强力迫出动作——达成速度与时间的废
茶久安:182.91.133.56
"Not even god can change what has happened.The future hasn't happened yet, the past is over, the only time is now and what you do in this moment. And what you gotta do is not make excused for what you've done, but own that it's 100% wrong, and equip yourself with more powerful,more empowering coping skills.So you don't get in this situation again."